My eyes are bigger than my credit limit

One of the things that I used to like about photo magazines was their prolific advertisements. Once a month an issue would arrive filled with pictures of cameras and lenses and all sorts of interesting accessories.

I would examine each page carefully and figure out the items that I had to have. Sometimes I would revisit a favorite page a half a dozen times or so, and dream about how I would put this new must-have piece of equipment to use. 

I rarely bought anything. There just wasn't the budget for it. And as of the month the wore on, I would gradually forget about the whole thing... until a new issue arrived. 

Now, it's like magazine day every day. 

I open my web browser and before me is an entire candy store of photo items to peruse. It's particularly bad right now because Photokina is still in full swing, and practically everyone is rolling out new items.

Many of them I want. 

I took a quick tally today of the items on the my photography wish list, and it came out to about $4000. There's no way I have $4000 to spend. In fact, I just paid my quarterly taxes. I don't have $40 to spend.  

Once again, my eyes are bigger than my credit limit. 

But, just like when I was a kid with a brand-new photo magazine... 

It doesn't hurt to look. 


How Photoshop Began

Back in 2000, I worked with the folks at Adobe to write an article titled, From Darkroom to Desktop - How Photoshop Came to Light.

It was one of the most popular posts I have ever published. I wrote about how Thomas Knoll began writing graphics subroutines on a Mac Plus in 1987. Then, how he started working with his brother John to create a program first called Display, then ImagePro. Two years later, in 1989, Adobe licensed the app that we know today as Photoshop.

The Knoll brothers represent cornerstones of digital photography. Thomas loved developing pictures in his dad's darkroom at home. John was attracted to personal computing from the very beginning. And they both had an appreciation for the intersection of these two disciplines.

If you like this kind of stuff, I've created a PDF titled, History of Photoshop and placed it as a digital download in the Nimble Store. There's no charge for it. I'm testing how this process works.

If you wish, you can help me. First, jump over to the Nimble Store. Then add the History of Photoshop to your cart and check out. A link to download the document will be sent to the email address that you used in your cart.

If you have time, please add a comment to this post about your shopping experience (and if you want, about the content itself). Or you can send me a private note via the Contact Form.

We're testing the next phase for the Nimble Store: digital downloads. There's going to be all sorts of good stuff in there. Some of it technical. But not all.

For example, in 2015, I will add a book to the catalog. Oddly enough, its title will be

The Nimble Photographer.


My Extra Layer of Security

Before digital cameras, casual photographers used Polaroids to shoot nude pictures.

They had to. Unless you had your own darkroom, it was difficult, and somewhat awkward, to find a commercial lab that would make prints of naked people. Now, all anyone has to do is point their smartphone at the subject, and tap. 

Very convenient.

Photography today is easier... and a bit more risky - especially the part about sharing the images. Doesn't seem like we have complete control over who can access our shots.

I used to send 4"x6" glossies to family and friends (to be clear, fully clothed pictures). I would order "double prints" so I would have enough to go around. I would organize the snapshots on the kitchen table, write the letter, address the envelope, determine the correct postage, and get it all to the mailbox before the postman arrived.

The process was a bit clunky, but relatively secure. Unless I had a rogue lab worker or incompetent mail handler, I was in good shape.

Today, I press a button to take a picture, then another to share it with the world - whoops, I mean my friend. Yes, there's risk associated with convenience. If someone really wants to get in my business, they probably can. 

Our house, computer, and cloud storage site can all be targets for those who think it's acceptable to take what isn't theirs. Does that mean we shouldn't use these services? I don't think so. 

But at least we can make it difficult to break in. Practice good password security, and hope for the best. And in my case, I have a little extra.

The pictures of me aren't as desirable as those of beautiful Hollywood actresses. A few more years and a couple pounds have become my outer layers of security.

I mean, really. Who's going to pay

to see those shots?


Shiny Objects

Samsung just announced a new Galaxy Note. And in just a few days, we'll know everything there is to know about the latest iPhone.

Despite all the new features highlighted, we seem too easily satisfied. Let's stop for a moment and look at the stuff we're not getting.

Alternative ways of charging - These things don't use that much energy individually. But collectively, they are a substantial drain on the grid. I'd like to see solar panels (or other means of smart energy) designed for our homes by the big companies with influence, that we will use to charge smartphones, tablets, LED lights, and low-demand devices. Less fuel consumed, less pollution produced, better for the planet.

Personal storage - It's hard to believe that in 2014, storage is still a hassle. And despite my best efforts, I still have data and pictures at risk. If we are indeed the data age, then we need persistent, robust storage solutions that work for everyone.

Security - I'm tired of the possibility that my business, and the economy as a whole, can be easily corrupted.  If you're going to come out with a cool new service, then you darn well better be able to secure it. If not, then keep working.

Waste - At some point, the landfills will have more precious minerals then our mines. If you're going to sell a million new devices, then there has to be a plan for the million that's going to be replaced. And I don't think that plan should be toss 'em in the trash.

As a whole, I feel like we're easily distracted by shiny new objects.  And as much as I like  toys, we need to be responsible about how we use energy, dispose of waste, and protect individual rights.

The new Galaxy Note and the latest iPhone seem to fall short in these areas.

At this stage of the game,

we should be further along. 


Hello Rocky Nook

Today is my first day working with Rocky Nook Publishing.

They've hired me as their Photography Evangelist. If you're not familiar with this group, you're in for a treat.

Rocky Nook is based in Santa Barbara, CA. Right off the top, they show good taste in location. When I met with them last month to discuss this gig, we had lunch at the Shoreline Cafe that sits right on the beach. It's not too often you get to wear shades during a job interview.

They choose titles based on their appeal to the editorial team - no focus groups, high-priced consultants, or pressure from retailers. "I like to publish books that I find interesting," remarked Gerhard Rossbach, publisher in charge of Rocky Nook. He then asked me what camera bag I was carrying. "That would look nice with my Fujifilm X-T1," he added.

We are of like minds. As I've mentioned before, I only work with companies that I respect and find interesting. If I'm going to promote something to my audience, I need to be excited about it too.

I just posted my first article for them, Tips for Photographing Birds. The editorial calendar for upcoming weeks looks fantastic.

I'm going to love this.


Good Bye Lowepro

Tomorrow is my last day working with Lowepro.

I've seen many changes there since I began as their Photography Evangelist (and social media guy) in the Spring of 2010. Their Facebook page had 1,400 fans. Today, we're over 72,000. On Twitter, there were 450 followers. This morning we're over 18K.

In addition to my daily posting on socials for Lowepro, I advocated for their products at user groups, trade shows, and online. I covered Photokina, Photo Plus, CES, and other major events for them. I held monthly "lunch break" photography classes for the staff.

But every business changes. Lowepro has a new senior staff that wants to handle their social media internally. I know the people who will be taking over for me. They're good folks who love photography. I'm sure it will work out well.

As for me, I'll have a bit more time to write for c't Digital Photography Magazine and Article Center. I start a new evangelist gig for Rocky Nook Books on Sept. 1. And I have my own publishing empire :-) with The Digital Story.

I'll be fine.

But I will miss the bags.


The Fujifilm X30 has Wedding Hair

I have two cameras that I absolutely love: the Olympus OM-D E-M10 and the Fujifilm X20.

Today, Fujifilm announced the long-awaited update to my camera, the X30. Under the hood, it's virtually the same as the model I already have: identical 2/3" X-Trans sensor, unchanged 28mm-112mm f/2.0-f/2.8 zoom, and no substantial boost in processing power.

But there are other differences between the two models. The zooming optical viewfinder with clever information overlay was replaced by an electronic viewfinder (EVF), similar to what I have on the OM-D. The battery is bigger, the camera is a tad heavier, and the LCD was upgraded in terms of resolution, size, is and now vertically articulated.

Fujifilm added a dedicated movie button on top where the Fn button once resided. The exposure compensation dial now extends to +3 and -3 instead of just two stops. The top mode dial is a bit more cluttered. A new control ring resides at the base of the lens barrel. And most importantly, WiFi is now built-in.

Many of these changes I like. Some I don't. I prefer the optical viewfinder. I already have EVFs in my Olympus cameras. I preferred the X20's top deck layout to the X30's. And the X30's back panel is totally unappealing to me.

But what really jumps out is how a few minor design changes can impact the overall aesthetics of a camera. The lack of the optical viewfinder in front, the change in proportion for the top deck, and a redesign of the back panel have really affected the camera's appearance.

I call it "wedding hair." Beautiful women in day-to-day life suddenly become less appealing thanks to a formal change in hair style. And that's the way I feel about the X30.

It has wedding hair.

So, I'll stick with the camera that I first fell in love with. Because, as we all know,

Newer isn't always better.


My Second Favorite Color

If you would have asked me my favorite color at age 8, I would have said, "green."

Not sure why; I just liked it. This remained true until I was 16 and bought my first car, an oxidized blue VW bug. Then green was relegated to second position. But it has remained there ever since.

If you visit The Digital Story and The Nimble Photographer websites, they are bathed in my second favorite color. There's a reason for that.

Green is alive. Most healthy plants are green. Photosynthesis is active. Green is good.

The color of conversation, renewable resources,  and recycling is green. Nobody wants to be a part of the rust movement.

Each day I attempt to embrace what my second favorite color represents. I walk to the bank instead of driving. The studio is open in the morning to air out, and closed when the afternoon heats up. I boil a small amount of water to wash dishes, and keep an eye on how much electricity I'm using. I travel light whenever possible.

The Nimble Photographer was born out of the concept of using less.

With my solar panels, twig-burning stove, and camping gear, I've wondered how long I could last if the infrastructure shut down. I hope I never find out.

I have faith that our technology will keep us one step ahead of our problems. Maybe we can innovate our way out of our shortcomings.

Which returns me to my favorite color: blue. Why does blue remain on top after all these years? It's simple.

To me, blue represents hope.


The Artist Inside

Theresa has a day job, as many do, managing people and budgets.

On weekends, she sits on her bed, legs straight out, typing a novel on the computer that rests lightly on her lap. Only family and a few friends know that she's an artist. And her work is brilliant.

Everyone has someone else inside - an athlete, a criminal, a mechanic, a chef. Sometimes they try to hide this other personality, and other times they can't wait for the world to discover it.

But of all these possibilities, I find the artist most compelling. 

The trap that unknown artists often fall into, is the desire to become known. Ironically, it's fame that destroys art.  And for this reason, I think modern social sites are better than we realize.


Because they provide an audience for our art without the poison of fame. Unlike pregnancy, you can to be a little famous. It only takes a few hundred people interested in your artistry to make it all seem worthwhile. 

You can continue to create without the noxious cloud of fame blocking the very light that inspires you.  The artist inside might not have a publisher, but she does have a community. And that community hangs on her every word.

When we look back upon this period in our history, it may be recognized as one of the great times of creativity ever.  Millions of unknown artists speaking to friends, family, and community without the self-consciousness of becoming front page fodder.

Yes, an unlucky few will have fame thrust upon them.  But the great majority will be free to create openly for those who love and truly care about

the artist inside. 


Don't Be Afraid

Photography is changing faster than ever.

And for many, change means disruption - old habits are broken, rituals are lost.

So far in 2014, we've learned that a new, unknown app called Photos will eventually replace Aperture and iPhoto. We're still a year away from having to make any measurable decision about what to do, yet photographers are bolting for the exits like students at a recess bell.

I've had readers "unLike me because I deceived them by championing Aperture." 

But wait, there's more.

The decline of DSLR popularity, the endless surge of social media, and the love affair with mobile phone photography... all of these harbingers of yet more change to come.

Here's the thing: you don't have to switch from Aperture, sell your DSLR, start an Instagram account, or buy an iPhone. You can stand pat. You can even go in reverse and set up a chemical darkroom and shoot film. People might think you're cool.

And if you do want to catch an innovation wave to two, there are lots of folks like me here to help. 

I've never been one to say, "ditch everything you love and switch to this." I respect the history of photography. My work stands on the shoulders of others.

When someone asks me for career advice, I always have one answer: do what you love. I say the same to photographers. Use the tools you like and pursue subjects that interest you. Turn off the news if you have to.

If you doggedly follow your passion,

everything else takes care of itself.


Fill Flash

When people ask me, "What's the one thing I can do to improve my pictures?"

I answer: "Fill flash."

I've been thinking a lot about this technique lately. Mainly, because I don't know if I would have survived the last couple weeks without it.

I've mentioned on the TDS podcast that I'm in the middle of a big project with a local credit union. It's a series of outdoor portraits in various locations throughout Northern California.

I've faced two major challenges, and one has led to the other. The first is balancing a variety of schedules for the photo shoots. Since the subjects are not professional models, we have to squeeze our sessions in to what little time is available for them.

As it's turned out, we're shooting in mid-to-late afternoon light. In August, that's some pretty contrasty stuff. Which leads me to my second challenge, getting great portraits in harsh light.

I've depended on my trusty friend, fill flash, to survive. If you want to see the rig I'm using, take a look at this article that I just published on c't Digital Photography MagazineThe Low-Tech Solution to Wireless Fill Flash.

The thing about using flash is that it's counter-intuitive for beginning photographers. I turn off the flash when the light is low (going with fast lenses and ambient illumination), and I turn it on outdoors for portraits when it's incredibly bright. Nuts, right?

Not really. The flash evens out those terrible facial shadows when the sun is high. My other favorite scenario is for sunset portraits. A little pop of light on the subject with a colorful sky is truly magical. 

So if someone asks you, what is the one thing they can do to improve their photography?

You know what to say.


The Castaway Cafe

A photocopied menu for the Castaway Cafe fell out of my shoe this morning. 

It was 6am, and I was looking down the sight of a 12-hour day, most of it challenging. I'm not sure how this memory from Maui got in my shoe. But there it was. 

And it made me smile.  

We had breakfast there. It was a perfect morning seasoned with  light breezes and blue skies. We enjoyed our food outside, beneath a couple palm trees. I remember saying, "I never want to leave this place." 

But of course I had to. 

This has been a tough week. But this morning made it just a little better.  

Thanks to a folded menu that slid out of my shoe, 

from the Castaway Cafe.  



Taking the Picture Is the Easiest Part

What a life! Just taking pictures all day. Doesn't everyone want to be a photographer?

That's true if you don't need money. But if you want to be paid for your work, photography isn't that much different than any other business.

For example, here are the highlights from my current ToDo list for a corporate project:

  • Schedule meetings to define parameters and responsibilities
  • Negotiate agreements for the different aspects of the project
  • Corral approvals for the desired locations and find out the requirements
  • Apply for permits and request liability insurance endorsements for each
  • Assemble production team, define their responsibilities and negotiate pay
  • Collect signed W4 forms from each team member
  • Coordinate schedules for shooting locations, participants, client, and production team
  • Prepare and test equipment used for the project
  • Organize model releases and shot lists
  • Find props, purchase snacks, and approve wardrobe
  • Secure backup locations for each shoot
  • Figure out what you've forgotten to do, then do it at the last minute

And when everything is in place, take the picture.

I like the last step best.


Insatiable Instagram

I'm not 22 years old with a curvy figure and long, flowing hair.

And yet, I'm still having a blast sharing my photos on Instagram. Over the last two years, the ritual of finding an image for my daily post has made me a better photographer. And to be honest, I'm having more fun than ever.

I've tried to figure out what the hook is. The more I think about it, the more Instagram reminds me of photography as an 12-year old kid with an Instamatic. I would shoot anything that looked interesting: friends, pets, home, vacation, cars, bikes, toys, food, family - everything was fair game.

Then photography got serious. It had to have meaning.

Those were probably my worst images. They were analogous to adolescent poetry, feigning profundity, yet transparently superficial.


Let's, instead, take a picture of the cat chasing its tail. Now that's life. And that's the joy that Instagram has returned to my images. Not only can I shoot and share anything I want, so can everyone else.

My Instagram page ranges from alcoholic beverages, to silly signs, to colorful sunsets, to yes, my cat. No apologies for any of it.

And when it's time for serious photography (these days thankfully the paying kind with clients), I feel more creative, spontaneous, and yes... free.

You won't see many selfies on my page. Quite honestly, I'm a bit too old for that. But you'll see practically everything else.

And that's why I just can't get enough of it.



After All That

I have been all over the world with my iPhone.

I've sailed the English Channel, hopped out of British cabs, endured numerous buses, snorkeled off the coast of Maui, lounged around a pool sipping lava flows, and even dropped my iOS device from the top row of high school gym bleachers. And through all of this, the 5S survived.

That charmed life ended abruptly earlier this week.

The inocoulous task of cleaning diving gear led to an accidental, and extended, submersion under water. The iPhone was dead.

The 5S was my fourth iPhone, and my first fatality. I still use unlocked 3GS and 4S models as international travel communicators. The original iPhone is a dedicated music player at the house. Oh sure, it has a few bumps and scratches, but it's alive.

Not the 5S. 

After a little research, I learned that Apple will replace my iPhone for $269. I simply submitted a service request online, Apple transmitted my shipping information to UPS, and the next day I walked into a UPS store with phone in hand and said, "here."

24 hours later, I received an email from Apple stating they have received my device. The day after that they shipped me a replacement.

I hate the $269 non-budged expense. But the demise of the 5S was my own doing. And I think that Apple replacing a $800 mobile phone for $269, no questions asked, is reasonable. Plus the process was pain-free.

I will probably never, ever, drop my iPhone in water again. But I have to admit...

I wish all companies would cover my mistakes so gracefully.